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Yane Calovski & Hristina Ivanoska_ACT_Magazin_Interview_2012

“Yane Calovski: Truth and Content”, essay by Anders Kreuger

Full essay here Yane Calovski: Truth and Content by Anders Kreuger (excerpt)   I’m not drawn to grand narratives. I’m more interested in accuracy of presentation and elasticity of form. – Yane Calovski interviewed by Başak Şenova, 20121 This essay inaugurates Kohta’s new series ‘Appraisals’, dedicated to artists in our

“Personal Object” as part of “Little did they know”, the 39th EVA International, curated by Merve Elveren. 

The installation Personal Object assembles Calovski’s recent and earlier works alongside objects from his archive. The work is reconfigured for its presentation at the historic East Gallery of the Limerick City Gallery of Art and as a space for connecting individual histories and collective experiences, both past, and present. Rather than transforming

A guided video tour | Yane Calovski: Personal Object

Welcome to a guided video tour of Yane Calovski’s exhibition ’Personal Object’, where the director and curator of Kohta, Anders Kreuger, introduces individually six works from the exhibition. https://kohta.fi/event/a-guided-video-tour-yane-calovski-personal-object/ Educated in the US, Japan and the Netherlands, Yane Calovski (North Macedonia, 1973) has been active in the Macedonian capital Skopje since the

“In the pause of a gesture there might be an echo”, a conversation between Jeroen Boomgaard and Yane Calovski

Source: http://www.inthepauseofagesturetheremightbeanecho.eu/index.php/en/22-titlescat/65-30-4-2020-17-14-jeroen-boomgaard-and-yane-calovski-started-a-conversation Dear visitor, The conversation below is an exchange between two people who until recently were not aware of each other’s practices. Both Jeroen Boomgaard and Yane Calovski were invited to contribute to the symposium. Knowing their work and domains of interest we thought that an animating discussion could

“Undisciplined: A Construction of an Archive”, text by Yane Calovski

Every time we experience the loss of something associated with our collective history, be it a document, a building, or a person, we feel that we lose our footing in both the present and the future. A disconcerting, disorienting, and ultimately debilitating sensation. Moreover, the ideology of remembering and archiving

UNACCEPTABLE: THE UNPUBLICNESS OF PUBLIC ARCHIVES, a talk by Yane Calovski, PUBLICS, Helsinki

Every time we experience loss of something associated with our collective history, be it a document, a building or a person, we feel that we lose our footing in both the present and the future. A disconcerting, disorienting and ultimately debilitating sensation. Moreover, the ideology of remembering and archiving is

Yane Calovski and Hristina Ivanoska: “Epilogue (Form of an Argument)”, review by Sylvie Fortin

ART PAPERS REVIEW, by Sylvie Fortin November 11, 2018–March 15, 2019 Museum of Contemporary Art Skopje, Skopje   Occupying two ground-floor galleries of the Museum of Contemporary Art (MoCA) – Skopje, Epilogue (Form of an Argument) was something of a karmic exhibition: one of those rare instances when artists and their work come home

Yane Calovski and Hristina Ivanoska’s “Epilogue (A Form of an Argument)”, review by Anders Kreuger

ART AGENDA REVIEW, by Anders Kreuger November 11, 2018–March 15, 2019 Museum of Contemporary Art Skopje, Skopje In the age of belated terrestrial awareness and multiple other opportunities and threats foisting themselves upon us daily, the joint solo exhibition by Yane Calovski and Hristina Ivanoska at the Museum of Contemporary Art

IASPIS Artist in Residence 2018: Yane Calovski

Interview by Annika Enqvist, Photography and editing by Alvaro Campo, Produced by Iaspis, Stockholm. Yane Calovski (MKD) is an artist, researcher, publisher and a cultural activist. By converging notions of archiving while augmenting a method similar to the immediacy of drawing, his research is focused on designing discursive frameworks for